补充：有关Eisenstein on the Audiovisual: The Montage of Music, Image and
Sound in Cinema一书，里面探讨Eisentein对于视、听二觉在电影制作上的处理，并且详
尽谈到他在某一影作中如何以不同方式处理影、音之间的association与dissassociation：
The creaking of a boot is not featured with the depiction of a boot. Instead,
it appears when a human face is seen, listening anxiously to this sound. Here
the passive everyday association with the creaking sound and the image of
the boot is severed, and the connection which is made between the anxious
face and the creaking sound of the boot is the point at which audiovidual
cinema becomes an effective expressive medium.
※ 引述《shell (HXD)》之铭言：
: Art begins the moment the creaking of a boot on the soundtrack occurs against
: a different visual shot and thus gives rise to corresponding associations.
: 艺术从一只靴子的声响开始，相对于不同的视觉视角，进而产生对应的关系。
: （我自己都不知道在翻什么东西？！）