http://www.chinatimes.com/newspapers/20150223000306-260109
被逮的Gibbons，原在麻省理工学院教艺术。他走到纽约中国城银行柜台递了
张“是的，这是抢劫，请给我大量大钞”的文诌诌纸条；处变不惊的行员，
很小气地只给了1000元。之后，他向学生吹嘘，这才事迹败露。他对媒体表
示，抢银行不过是他长年进行中的一项反社会行为艺术，之所以会“沉沦至
万恶之底，再回报”是受到韩波(Rimbaud)的启发。据闻，这是他第2次抢劫
，他还曾在博物馆成功盗取过一幅名画。
62岁的Gibbons打出韩波神主牌，申言为艺术铤而走险，已获不少艺评家声援
，某主流艺术馆竟也表示“若能邀到他来开展，将荣幸之至。”
(Queens Museum)
艺术至上与言论自由一般，同是愈辩愈不明的领域。不论动机理由，原本无庸
置疑的抢劫罪行，却只因名校教授光环效应，媒体趣化报导，艺评家附议“让
艺术归艺术”除罪，进而混乱了理性公约，弱化了大众是非判断
http://nypost.com/2015/02/16/nyc-museum-wants-to-honor-bank-robbing-professor/
http://goo.gl/kbn1aW
He robbed banks, saying it was for “art” — and now the curator of
the taxpayer-funded Queens Museum wants to honor him.
Nutty Professor Joe Gibbons — who videotaped himself ripping off banks
as part of a bizarre “art project” — has snagged the prestigious
invitation from the Queens Museum to show off his felonious film project.