在一篇最新的访谈中，《哥吉拉-1.0》导演山崎贵说到他曾为了观看在日无法放映的《奥本
海默》一片，专程飞来台湾看中文字幕版的，并提到奥本海默与该片的一些关系，以下节录
该段问答的机器翻译：
Joshua Encinias：你有看过《奥本海默》吗？你对它的观点有何看法？
山崎贵：实际上，我非常想看《奥本海默》，但它在日本还没有上映。但因为我真的非常想
看，所以我飞到台湾，用中文字幕观看了这部电影。话虽如此，我的英语当然不是很好。我
不认为我完全理解了电影中发生的细微之处。但即便如此，我确实感受到了这部电影所代表
的强大力量。当然，作为一个有日本血统和遗产的人，从小我就在我们的流行文化和周围环
境中看到了更多的核弹。作为一名电影制片人和导演，我确实希望有一天能对《奥本海默》
提供某种回应或反应。我不认为《哥斯拉》必然是对它的直接回应，尽管它们指向了类似的
主题。但即使这部电影从未实现，我认为将其作为一个强烈的主题元素放在脑海的一角是重
要的。
Joshua Encinias: Did you see Oppenheimer? What did you think of its perspective?
Takashi Yamazaki: I actually wanted to see Oppenheimer so bad but it’s yet to r
eceive a theatrical release in Japan. But because I wanted to see it so badly, I
flew to Taiwan and watched it with Chinese subtitles. With that said, my Englis
h, of course, is not that great. I don’t think I fully understood the nuance of
what was happening in the film. But despite that, I did feel this very powerful
force of what the film represented. And of course, being of Japanese descent an
d heritage, I’ve seen a lot more nukes in our pop culture or surroundings since
I was really young. I feel that as a filmmaker and director, I do want to provi
de some kind of answer or response to Oppenheimer someday. I don’t think Godzil
la is necessarily a direct response to it, although they point at similar themes
. But even if this film is never realized, I think having it in the corner of my
head as a strong thematic element is important.
https://www.moviemaker.com/godzilla-minus-one-takashi-yamazaki-oppenheimer/
日本人专程飞来台湾看奥本海默
台湾人专程飞去日本看哥吉拉-1.0