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不愧是imdb 8.4 神片，今年第一部金马就好看到想要大叫，慵懒的意大利夏日小镇，情
窦初开的17岁，Timothee Chalamet 把迷惘又大胆的少年演到完美，明明是偶像剧八股剧
情，却被虐到心甘情愿。
Call me by your name and I'll call you by mine.
到底怎么写出这么肉麻的台词？在电影里却又清新自然得充满细节，相约午夜阳台的纸条
、肩膀肢体接触的暗示、互相宣示女友、脚踏车才能到达的秘密基地、父母的默默关心、
不说一句的送别、Later、还有那颗桃子。
闻天祥老师把本片进退之间的小题大作，有一番精准的诠释，节录原文如下：
那股欲迎还拒、彼此试探的细腻情态，几乎是“小题大作”的完美示范。透过影像，卢卡
格达戈尼诺（Luca Guadagnino）把生活里看似再微小不过的细节都化为彼此的试探。一
旦确认，那倾泻而出的浓情蜜意，又让每场戏自然而然地愈变愈长，宛如主人翁不舍分离
的心境一般。尽管唯美浪漫是最常落在本片的形容词，但清纯倒不见得非不食人间烟火，
在“守”与“离”、“射”与“尝”的心理与行动上，片中进退都是学问。当晓得剧本出
自《墨利斯的情人》（Maurice,1987）编导詹姆斯艾佛利（James Ivory）之手，影迷之
间可能又要激起一阵“原来如此”的涟漪回荡。都30年了，同志电影走到这个地步，人心
呢？
这种拿捏真的进退都是学问，多一分则重咸，少一分则搔不到痒处。导演Luca
Guadagnino在纽约电影节被观众问起：为什么没有gay sex scene在电影中？导演的回答
让人再次肯定他的决定：“I think that their love is in all things, so when we
gaze towards the window and we see the trees, there is a sense of witnessing
that. I refuse with strong firmness that I was coy in not showing that,
because I think that Oliver and Elio and Armie and Timothée, the four of
them displayed a very strong intimacy and closeness in so many ways and it
was enough.”
电影有很多不同的面向可以探讨，我认为剧本和人物才是电影的核心，易智言导演也用
Elio 和 Oliver 爬山的那一段，反励台湾剧本创作者：“连 Nolan 都拍了一部没有情节
，只有人物冲突的电影，台湾这些小朋友导演编剧还在干什么？”
说到剧本，不得不提已经90岁的甲甲电影大师James Ivory，也是本片剧本作者，人生没
有一番风浪是写不出结尾的爸爸说教戏的。
最喜欢的一场戏就是Michael Stuhlbarg爸爸说教，我愿意为了仔细看一次这场戏二刷。
特别想把这段话写出来："Nature has cunning ways of finding our weakest spot.
We rip out so much of ourselves to be cured of things faster than we should
that we go bankrupt by the age of thirty and have less to offer each time we
start with someone new. But to feel nothing so as not to feel anything - what
a waste! Then let me say one more thing. It'll clear the air. I may have come
close, but I never had what you two have. Something always held me back or
stood in the way. How you live your life is your business, just remember, our
hearts and our bodies are given to us only once. And before you know it, your
heart is worn out, and, as for your body, there comes a point when no one
looks at it, much less wants to come near it. Right now, there's sorrow,
pain. Don't kill it and with it the joy you've felt."
我们都是在30岁就情感破产的人，不要抑制你的悲伤，久了以后会让你变成一个不再悲伤
的人。
还有两个细节必提：没有任何人因为选择而被惩罚，很喜欢这样的故事设定。结尾的长镜
头搭配Sufjan Stevens《Visions of Gideon》太心碎了。