Re: [新闻] 女权人士: 敦克尔克缺乏女角 沦父权论述

楼主: huisan11006   2017-08-16 19:56:21
笑死
那个年代的男人在打仗 那女人在哪里
还不是躲起来鸡鸡叫
然后被战胜国的男人当畜牲先奸在杀
要女角?
去投降后的德国柏林找啊
要不就去各地军营附近的妓女户里面找
※ 引述《fffffff4 (使用者在线上)》之铭言:
: 来源:
: The daily caller
: 标题:
: Feminist Says Dunkirk Is A Bad Movie Because It Screams ‘Men-Only’
: 女权人士: 敦克尔克缺乏女角 沦父权论述
: 内文:
: Christopher Nolan’s “Dunkirk” is being celebrated as one of the strongest m
: ovies of the year—and may perhaps rank among one of the best war movies ever
: made alongside “Saving Private Ryan,” “Hacksaw Ridge,” and “Black Hawk Do
: wn.” Like the other great films, it doesn’t glorify war, but instead emphasi
: zes the tragedy of war. But because male critics are praising it, women’s mag
: azine Marie Claire has seen fit to trash the film for “celebrating maleness”
: —asking instead why war movies aren’t being made for women.
: 敦克尔克被誉为最伟大的战争电影,与抢救雷恩大兵等电影齐名。但女性杂志Marie Clai
: re却批评本电影“高抬男性气质”,并质疑战争片为什么无法让女性感动。
: Writing for Marie Claire, Mehera Bonner declared “Dunkirk” to be “basic.”
: “And look, it’s not like I need every movie to have ‘strong female leads.’
: Wonder Woman can probably tide me over for at least a year and I understand t
: hat this was dominated by brave male soldiers. I get that,” she wrote, before
: slamming the film for its “general vibe.”
: Despite enjoying the film’s intense moments and even the performances of its
: actors, including One Direction’s Harry Styles in his first big screen appear
: ance, the Marie Claire writer slams Dunkirk for being “designed for men to ma
: n-out over.”
: 杂志专栏作家Mehera Bonner表示,敦克尔克很平庸的一部片。她说:“我不是要每部电
: 影都有女强人当主角,我很喜欢神力女超人,但我也了解战争是男人打的。”
: 但她也批评敦克尔克是为男人而拍的电影。
: “The tenor of the people applauding it just screams ‘men-only’,” she conti
: nued, citing that the only reason male critics liked it was because it allowed
: them to feel manly.
: 她表示,只有男人才能欣赏此片,男人之所以喜欢,是因为看完会觉得有男子气概。
: Bonner continues: “To me, Dunkirk felt like an excuse for men to celebrate ma
: leness—which apparently they don’t get to do enough. Fine, great, go forth,
: but if Nolan’s entire purpose is breaking the established war movie mold and
: doing something different—why not make a movie about women in World War II?”
: The Marie Claire writer argues that it’s the responsibility of top-tier dire
: ctors like Nolan to make the films she wants more of.
: 敦克尔克成了男人高抬男子气概的借口。
: 如果诺兰导演想要打破战争片传统,何不拍部二战中的女性?
: This year’s “Wonder Woman” and “Atomic Blonde” are both highly rated film
: s, revealing little gender bias among film critics. Likewise, the female-drive
: n “Mad Max: Fury Road” was equally enjoyed by critics of either sex, earning
: it a spot as one of the highest rated films ever made. Films about women in t
: imes of war have been made, several to critical acclaim—including “Zero Dark
: Thirty” and “The English Patient.” According to film reviewers, each of th
: ese films broke the mold by taking typically male settings and centering them
: around female protagonists.
: Dunkirk was a prominent event in military history, but is rarely given notice
: in pop culture. To anyone who’s heard of Dunkirk, the evacuation is largely r
: emembered as both a miracle and a disaster for the Allied forces in Europe dur
: ing World War II. Failing to defend France against the Germans, the British we
: re forced to evacuate over 338,000 troops with the aid of private civilians.
: However, over 30,000 troops were left behind to be captured as prisoners of wa
: r to the German army. The British press managed to turn the loss into a sort o
: f victory with the “Dunkirk Spirit” that showed the solidarity of the Britis
: h people in saving the lives of their countrymen. With “Dunkirk,” Christophe
: r Nolan shed light on an event that would’ve otherwise relegated to the histo
: ry books.
: https://tinyurl.com/ybutwwoh

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