※ 引述《rockmanx52 (ゴミ丼 わかんりんにゃれ)》之铭言:
: ※ 引述《rockmanx52 (ゴミ丼 わかんりんにゃれ)》之铭言:
: : 另外就是对于日本漫画多题材的问题
: : 据说目前美国几家作日漫代理的出版社
: : 已经打算在美国的日漫销售量近半的时候
: : 开始用当初1960年代的方式去压迫日本出版社
: : “不得再推出任何一部政治不正确的作品”
: : 所以
: : 好好珍惜现在的时光吧....
: https://archive.is/OAXW9
: 补充一下 放话的是这个家伙
: 今年刚被美国最大日漫代理商Viz Media聘用
他那段推文,好像在抨击那些将恐同、恐跨、厌女全怪到日本动漫画上
讲的好像这些东西像是突然在西方冒出来似的
甚至忽略日本人在争取LGBTQ+平等权利所作的努力
是我会错意了吗?希望板友指正
不过中间那段看来真的是在说,真的有日方去谈了
照他的说法,若搞砸了,恐怕以后美国读者就要跟厉害国一样
等汉化组了…
https://twitter.com/OhHeyDJ/status/1229849003476434944
Imagine being so much of a weeb that you can’t see past your own rose
colored glasses and think that Japan is some sort of anime amusement park
that you ignore actual Japanese LGBTQ+ people fighting for equal rights and
taking homophobia and transphobia to task in their content.
Not being homophobic, transphobic or misogynistic is not some western ESS JAY
DOUBLE YEW thing that just popped up out of nowhere. You truly hate to see it.
Regardless of that. With the US being one of the biggest markets for anime
and manga, there IS going to be conversation between stakeholders in Japan
and here when it comes to creating content that appeals to more western
audiences. The anime industry IS A BUSINESS.
Also. Some of y’all don’t know the differences between translations and
localizations and it shows. Google is right there.
The mental gymnastic some of y’all exhibit on twitter for the whole world to
see is truly EMBARRASSING.
FOR YOU.